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Presented his recent film, Light on a Path, Follow, as part of the Trans*Revolutions Virtual Symposium, presented by Barnard Center for Research on Women. This virtual symposium featured artist-activists whose work is inspired by and engaged in imagining trans* and genderqueer histories, performances, identities, and aesthetics.

Moskowitz, A. (2023) Invited Speaker, “Imperception,” Political Concepts: The Literature Edition, The Cogut Institute for the Humanities, Brown University. March 2023. 

Mueller, Adeline presented her paper “Touching Melodies: Tactile Music Notation at the Vienna Institute for the Blind” at the Annual Meeting of the American Musicological Society in 2023. She shared tactile replicas of one of the Institute's experimental notation systems, prepared by Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab).

Mueller, A. Presented “The Impossible Oratorio: Rejection, Refusal, and Blind Agency on the Eighteenth-century Stage” at the Annual Meeting of the American Society for Eighteenth-Century Studies (St. Louis MO, March 2023).

Mueller, A. Presented “Persuasive Performance: The Rhetoric of Blind Students' Concerts in Vienna, 1808-1824” at conference “” (Ira F. Brilliant Center for Beethoven Studies, San Jose CA, February 2023).

Adeline Mueller (Music) gave an invited lecture in the Musicology Colloquia series at the Peabody Institute of the Johns Hopkins University, entitled “Touching Melodies: Tactile Music Notation at the Vienna Institute for the Blind, ca. 1819” (November 8). Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab) prepared three-dimensional replicas of an experimental music notation system illustrated in one of Mueller's nineteenth-century sources; these were shared with the audience at the lecture.

Gave two public lectures in November and December as part of the Pioneer Valley Symphony’s Fall 2020 Discovery Series, “.” Mueller was in conversation with the Symphony's Music Director Tianhui Ng (Music), who hosted the series.

Presented papers at the international symposium Folk Music Research, Folkloristics, and Anthropology of Music in Europe: Pathways in the Intellectual History of Ethnomusicology (Vienna, University for Music and Performing Arts) and the Annual Meeting of the American Musicological Society (Boston).

Concluded a pandemic trilogy of virtual operas with "A Survivor's Odyssey", staged in UnReal and performed live on the newly developed TuttiRemote platform on September 21, 2021 with White Snake Projects. Focused on the social issues brought to the fore by the pandemic, this latest installment worked with multiple Boston community organizations to highlight the rise of intimate partner violence.

Hosted a libretto workshop on September 22 - 25, 2021, with Lila Palmer (American Lyric Theatre) on Jerod Impichchaachaaha' Tate's groundbreaking opera, Shell Shaker, an opera written and performed completely in Chickasaw.