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Medhi, A. (2022). Writing Histories of Capital in the Shadow of War. International Journal of Middle East Studies, 54(2), 352–356. doi:10.1017/S0020743822000423

Medhi, A. (2020). Infrastructural Contingencies and Contingent Sovereignties on the Indo–Afghan Frontier. Modern Asian Studies, 1-38. doi:10.1017/s0026749x19000015

Mitchell, C. (2021). . Business and Politics, 1-17.

Mitchell, C. (2020). United We Stand: Gruppenwettbewerb and European Banking Union. German Politics, 1–17. 

Mitchell, S. (2020). Fault-Tracing: Against Quine-Duhem. A defense of the objectivity of scientific justification. Berlin/Boston Walter de Gruyter GmbH.
De Gruyter:

Monahin, N. (2024) “Negotiating Text and Movement: Some Challenges in Staging Dance in Shakespeare’s Plays.” In The Ball: Pleasure, Power, Politics, 1600–1900. 5th Historical Dance Symposium, Burg Rothenfels am Main, 15-19 June, 2022, Germany. Conference Proceedings, edited by Uwe Schlottermüller and Howard Weiner, June 2022. Posted (Nov 2024 ) on Shakespeare and Dance Project website: https://shakespeareandance.com/articles/negotiating-text-and-movement/

Monroe, A. (2024) Trobár's first album, Il Dit Elle Dit: Love & Dialogue in the World of Christine de Pizan, received a favorable review in Early Music America Magazine. The review highlighted its "exquisite intonation," "delightful lilt," and "clear," "vital," and "well-balanced" sound, and quoted extensively from Artistic Director Allison Monroe's liner notes.

Medieval music ensemble Trobár just released their first album, Il Dit Elle Dit: Love and Dialogue in the World of Christine de Pizan, featuring Allison Monroe (Artistic Director), Elena Mullins (Executive Director), Karin Weston, and Tis Kaoru Zamler-Carhart. The album is now available on all major streaming platforms or via their website: https://www.trobarmedieval.org/album

Mosby, D. E.  (2003) Place, Language, and Identity in Afro-Costa Rican Literature. Columbia: University of Missouri Press.

Mosby, D. E. (2014) Quince Duncan: Writing Afro-Costa Rican and Caribbean Identity.  Tuscaloosa: University of Alabama Press.